Posts tagged wrestling is art
The Road To Better Representation Of Asians At WrestleMania

On January 28th, 2018, two performers of Japanese descent, Shinsuke Nakamura and Asuka, won their respective Royal Rumble matches. 

This was a defining moment both in pro-wrestling history, and in my personal pro-wrestling fandom.

When you’re an ethnic minority, growing up a pro-wrestling fan presents a challenge. 

Pro-Wrestling's xenophobic roots result in the depiction of ethnic minorities as the heels (villains) opposite the "All-American" babyfaces (heroes). We are represented by racial caricatures and stereotypes that are designed to emphasize one’s foreignness. It’s a constant reminder that we are the “other”; that the way we look, the way we sound, the way we act inevitably elicits boos.

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Tim Kail's Raw Review

There are times when the WWE strikes that perfect balance between heavy-handed schmaltz and sincere, logical storytelling.

That elusive sweet spot may just be the purest representation of the WWE's perspective on professional wrestling; an over-the-top family saga wrapped in spandex, fireworks, and an assortment of colorful heroes & villains that occasionally results in genuine expressions of pain, joy, surprise, and psychosis.

One such moment occurred on the November 13th, 2017 episode of Monday Night Raw when Kurt Angle and his tearful "son", Jason Jordan, were interrupted by a grim & determined Triple H. 

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"But is it good?" The Only Worthwhile Debate In Modern Pro-Wrestling

Watch pro-wrestling long enough, and you begin to recognize the patterns of wrestling matches and the tropes of the medium: the heel cheats, the babyface "comes back", groups and teams inevitably betray each other, veterans "pass the torch", and on and on it goes in an endless merry-go-round of (hopefully) joy and wonder.

Eventually, you may even want to see some of these patterns and tropes at work because they provide a sense of comfort, a return to your once simplistic, romanticized view of right & wrong.

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