The Work Of Wrestling podcast turned ten years old this past January. It’s hard to believe I’ve been podcasting and writing about any subject with consistency for that amount of time. In so doing, I’ve produced several episodes I’m proud of but none more so than The Third Law.
Read MoreAEW Dynamite has become an afterthought in my wrestling viewership, sad to say. Wednesday rolls around and I find my wrestling appetite has already been sated by RAW. This is especially true because I review RAW and spend a lot of time thinking about it and honing my critiques throughout the week. As of now, I have no intention of purchasing AEW's next ppv. I need to save money, for one thing, and I'm not enamored with any particular story. If I find myself bored and with nothing better to watch, I'll put Dynamite on the TV when I get home from work, but there's no longer a sense of urgency. There was a time when I firmly believed AEW was producing not only the best weekly wrestling television show at present, but the best I'd ever seen at any time in my life.
Read MoreThis week’s Monday Night Raw, another middling, mostly pointless episode, ended with an intense dialogue between Cody Rhodes and CM Punk. It was a well-acted scene with several well-constructed statements, mainly that Cody Rhodes is no longer “chasing” CM Punk but that it was now Punk “chasing” Rhodes.
One would be forgiven to surmise, based on this scene, that Punk v Rhodes will headline WrestleMania 41. In fact, I’d argue this scene necessitates Punk face Rhodes for the title at Mania. Otherwise, why am I seeing it?
The characters have an interesting history and the imagery and soundbites would make for a fantastic pre-match vignette. Everything about their interactions over the past year, culminating in this promo, lays the groundwork for a championship match.
And yet, I don’t buy any of it.
Read MoreI have a day job. I work 9-5, Tuesday through Friday. It pays the bills and provides me and my wife with healthcare. My commute is a seven minute walk and my supervisors are kind, thoughtful people. As I age, the more I value these benefits. I see these aspects of my job as rare and precious, but when you’re in the daily grind of human existence it’s easy to lose sight of the good and slip into rumination on the bad. I’m in therapy, I take antidepressants and anti-psychotics, and I practice several cognitive behavioral therapy (CBT) techniques to cope with the darker corners of my consciousness. Even so, with all these benefits, it’s still not enough to get me through the day.
“Well it pays the bills…” or “You have healthcare…” or “You have a good therapist…” doesn’t answer a particular yearning in the soul. What is that need - that part of you that’s unmoved by the objective positives in your life?
What is it you’re searching for?
Read MoreOn January 28th, 2018, two performers of Japanese descent, Shinsuke Nakamura and Asuka, won their respective Royal Rumble matches.
This was a defining moment both in pro-wrestling history, and in my personal pro-wrestling fandom.
When you’re an ethnic minority, growing up a pro-wrestling fan presents a challenge.
Pro-Wrestling's xenophobic roots result in the depiction of ethnic minorities as the heels (villains) opposite the "All-American" babyfaces (heroes). We are represented by racial caricatures and stereotypes that are designed to emphasize one’s foreignness. It’s a constant reminder that we are the “other”; that the way we look, the way we sound, the way we act inevitably elicits boos.
Read MoreLast night's Raw ended with Stephanie McMahon announcing the inaugural Women’s Royal Rumble match at the forthcoming annual pay-per-view.
This is a welcome announcement that instantaneously makes next year’s Rumble more interesting and essential-viewing. Over the next six weeks, fans will watch this match take shape, and discuss who it should bolster, how it will be structured, and what surprises may be in store. This is all good, and it’s reassuring to see the WWE do the obviously right thing.
Fans should definitely be happy, but fans should also be asking, “What happens after?”
Read MoreI stood with my hands in my pockets and my eyes on the floor, waiting for the next stall or urinal to open up. We were a pack of shifty men, unaccustomed to bathroom lines. A father and a son talked about Spiderman: Homecoming (the movie we'd all just finished watching) behind me. The father liked it. The son wasn't so sure. Both loved Michael Keaton. Most of us were quiet save a few customary post-pee man-grunts.
A stall door opened, and a bearded young man exited. He wore a Bullet Club tee-shirt. I recognized the skull and crossed AKs immediately. Even though I knew nothing about the Bullet Club (other than the fact that they exist and are important in indy wrestling) I experienced the warmth of recognition.
A fellow wrestling fan!
Read MoreAlthough the pro-wrestling industry often appears content to exist on the fringe of popular culture, fancying itself apolitical, asocial, and purely "entertainment", it does not, in fact, exist apart from society.
Pro-wrestling is every bit a reflection (the good, the bad, and the reprehensible) of society as any other theatrical medium. Just as Hollywood, the video game industry, the sports world, and every other business enterprise where creativity, athleticism, and culture collide, professional wrestling is undergoing a transformation.
In pro-wrestling, particularly in the past few years, those fans & performers who have historically been underrepresented, marginalized, or vilified are pushing back. The bigoted and sexist caricatures in pro-wrestling, as well as those fans who dismiss people who don't fit the white, straight, eighteen to thirty-five year old male demographic as "fake fans", face a mounting resistance. Pro-wrestling fans are combating the tired, false narrative that this form of art is "for the few, by the few".
Read MoreTune in to today’s pro wrestling fandom, and one of the first words that springs to mind is ‘entitlement.’
Wrestling fans have become consumed with their idea of Monday Night RAW; their World Wrestling Entertainment. We live in a culture of ‘smarks’, connoisseurs of the squared circle who believe themselves to be above the art of professional wrestling itself. Rather than simply following storylines and enjoying matches, we now take to Twitter to complain about the art we supposedly love. We argue about booking directions in forums, make fun of title belt designs at live shows, and urge Vince McMahon to #CancelWWENetwork when ‘our guy’ loses.
Read MorePro-wrestling has changed dramatically in the past twenty years. Wrestlers are leaner, faster, and seemingly less tethered to gravity. There is no "top guy" in the industry, but "brand identity" is stronger than ever. In WWE, promos and segments are highly controlled, heavily scripted bits of theater rather than loose, improvisational workshops. There are no Monday Night Wars, but there is a vast and interconnected independent wrestling circuit that's more accessible than ever thanks to the internet. Wrestling isn't drawing ten million viewers every Monday, but how many scripted television shows are in this Era of Niche?
Pro-Wrestling, like the whole of entertainment, has fragmented into an increasingly specific subset of ever-evolving tastes. Gone are the rigidly defined days of your average "18-35 year old male demo" showing up to RAW & Nitro in their tank tops to drink beer and scream obscenities into the camera. Today's wrestling is about gathering together with fellow "smart" wrestling fans (whatever their age, gender-identity, race, or sexuality), and then evaluating themselves or their particular group against other individuals and other groups, all while existing under the larger umbrella of "modern pro-wrestling fandom".
Read MoreThe WWE has embarked upon its self-proclaimed "New Era".
The past two months, this idea has taken concrete form in a strict separation between the shows Monday Night Raw & SmackDown Live (separate rosters, brand-specific stories, brand-specific championships, and brand-specific divisions), a renewed focus on the significance of earning a Championship opportunity or victory, showcasing talent that might typically be underutilized, new General Managers in the form of Daniel Bryan for SmackDown & Mick Foley for RAW, and a variety of structural and aesthetic changes to both shows. It is an experiment still in its infancy, and like many experiments it results in some successes and some failures.
Read MoreAlmost every day I see comments from frustrated professional wrestling fans claiming that Roman Reigns "doesn't deserve" all of the opportunities WWE has given him. This comment is incredibly reliable regardless of how Roman Reigns evolves and regardless of how his booking changes.
At this point, if a pro-wrestling fan is reciting the same laundry list of criticisms that have been leveled at Leati Joseph Anoaʻi over the past two years, I tend to question their true intentions as it relates to their love of professional wrestling.
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