The Wrestler's Motif

Every wrestler is a motif. The more well-thought out and well-executed the motif, the easier it is for that wrestler to connect with an audience.

(Before going any further, it’s useful for you to know that a motif is a recurring theme in narrative. It’s an idea like “what is justice?” examined by characters in a story or the author of a novel or the director of a film, etc.)

The wrestler has many tools at their disposal for articulating their recurring theme. Let’s focus on six: the wrestler’s name, the wrestler’s attire, the wrestler’s entrance music, the names of their signature and finishing moves, the wrestler’s gestures, and the wrestler’s catchphrases.

There is perhaps no motif more consistent than The Undertaker’s.

Tim KailDecember 12, 2022wwe, motif, the undertaker, wardlow, aew, vince mcmahon, Tony khan, wrestlemania, promo, entrance, catchphrase

The McMahon Behind The Curtai

The opening segment of this week's Monday Night Raw is a light shining at us from the future, illuminating what the WWE could (and hopefully will) become one day.

In it, Roman Reigns, yet again irate at the absence of his WrestleMania opponent, Brock Lesnar, took to the microphone to air his grievances.

Brock, in Roman's words, "Didn't show up to work".

This has been the essence of his problem with Lesnar, and the basis of their WrestleMania rematch. Roman, regardless of the crowd's perpetually mixed-to-negative reaction to him, always shows up to work. He "busts his ass" for the business that's "in his blood", and, just like the fans, he's sick and tired of Brock Lesnar only showing up to work "when the money is right or the city is right". He believes The Universal Champion should be a full-time member of the WWE roster; an unconditional leader of the locker-room and the company.

Hey, WWE, Please Hire Women Writers

Last night's Raw ended with Stephanie McMahon announcing the inaugural Women’s Royal Rumble match at the forthcoming annual pay-per-view.

This is a welcome announcement that instantaneously makes next year’s Rumble more interesting and essential-viewing. Over the next six weeks, fans will watch this match take shape, and discuss who it should bolster, how it will be structured, and what surprises may be in store. This is all good, and it’s reassuring to see the WWE do the obviously right thing.

Fans should definitely be happy, but fans should also be asking, “What happens after?”

The Demise of the American Babyface

A prone Dolph Ziggler lay flat on his face in the middle of the ring. He struggled to regain his bearings as Baron Corbin approached with a steel chair in hand. Having just earned a nefarious victory over ‘The Showoff’ wasn’t enough; the vitriolic fire in Corbin’s heart would continue to rage until the satisfactory pound of flesh was properly extricated from Ziggler’s battered physique. Luckily Kalisto, a previous victim of Corbin’s post-match antics, raced down the entrance ramp just in time to chase the cowardly heel away and save his friend from further violence.

This familiar pro wrestling scene took place on the first SmackDown Live of 2017 and came on the heels of a satisfying resurgence of Ziggler’s babyface character thanks to a compelling program with The Miz in the later stages of the previous year.

How Virtual Reality Will Change The Way We Watch Pro-Wrestlin

Pro-wrestling has changed dramatically in the past twenty years. Wrestlers are leaner, faster, and seemingly less tethered to gravity. There is no "top guy" in the industry, but "brand identity" is stronger than ever. In WWE, promos and segments are highly controlled, heavily scripted bits of theater rather than loose, improvisational workshops. There are no Monday Night Wars, but there is a vast and interconnected independent wrestling circuit that's more accessible than ever thanks to the internet. Wrestling isn't drawing ten million viewers every Monday, but how many scripted television shows are in this Era of Niche?

Pro-Wrestling, like the whole of entertainment, has fragmented into an increasingly specific subset of ever-evolving tastes. Gone are the rigidly defined days of your average "18-35 year old male demo" showing up to RAW & Nitro in their tank tops to drink beer and scream obscenities into the camera. Today's wrestling is about gathering together with fellow "smart" wrestling fans (whatever their age, gender-identity, race, or sexuality), and then evaluating themselves or their particular group against other individuals and other groups, all while existing under the larger umbrella of "modern pro-wrestling fandom".

THE TROUBLE WITH "SPORTS ENTERTAINMENT"

“Sports Entertainment” is a much-maligned term among professional wrestling purist.

Growing up, I never thought much about the significance of the term.

It just seemed like the WWE’s way of distinguishing its brand of professional wrestling from others. I wasn’t aware of any malice behind the phrase or that “Sports Entertainment” presented itself as superior to the territory “wrasslin business” of old. I didn’t know that it was designed as a means of distancing the WWE from negative public perceptions, steroids scandals, and the like.

WHY I WANT TO LIKE ROMAN REIGNS

I’ve always liked Roman Reigns.

I’m a twenty-eight-year-old married man.

My favorite wrestlers are performers like CM Punk, Sami Zayn, The Rock, Steve Austin, Bret Hart, Mick Foley, AJ Lee, Lita, Sasha Banks, Bayley, Charlotte, and Roddy Piper.

I’m fairly certain I could be labeled a “smark”, and, like many who write about pro-wrestling on the internet, I have my fair share of criticisms for the WWE.

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