Pro-Wrestling Is An Art...But It's Better When Wrestlers Don't Know That

Professional wrestling is an art.

That's the simple truth.

Proving and reinforcing that truth with my style of pro-wrestling-arts-criticism has always been the purpose of my writing and my podcast. It is an accurate way of analyzing the medium that quickly dismantles the age-old claim "wrestling is fake", and simultaneously positions pro-wrestling to be watched (and created) with the respect it deserves.

The idea that pro-wrestling is an art is by no means new: philosopher Roland Barthes wrote about wrestling as theater in the 1950s, Bret Hart stated with his trademark tempered pride, "There is an art to wrestling" in the 1998 documentary Wrestling With Shadows, and CM Punk told GQ in 2011, "It's truly, I believe, one of the only art forms that America has actually given to the world, besides jazz and comic books".

Stop Lying To Me, Babyfaces: Or Why WWE Heels Always Win

Whether it's Triple H pontificating about the value of hard work or The Miz describing, in minute detail, how meaningless the Intercontinental Championship was on Dean Ambrose's shoulder, heels consistently make accurate and even inspired observations about life and their opponents. Heels tend to speak with confidence and certainty, and, more often than not, they're proven right. They say they're going to win and they win. They lose, and they talk their way out of it through snarky humor or they immediately retaliate (demonstrating cunning, resiliency, and decisiveness). Or they vanish off television for months after their loss, and so their loss is forgotten.

How Virtual Reality Will Change The Way We Watch Pro-Wrestling

Pro-wrestling has changed dramatically in the past twenty years. Wrestlers are leaner, faster, and seemingly less tethered to gravity. There is no "top guy" in the industry, but "brand identity" is stronger than ever. In WWE, promos and segments are highly controlled, heavily scripted bits of theater rather than loose, improvisational workshops. There are no Monday Night Wars, but there is a vast and interconnected independent wrestling circuit that's more accessible than ever thanks to the internet. Wrestling isn't drawing ten million viewers every Monday, but how many scripted television shows are in this Era of Niche?

Pro-Wrestling, like the whole of entertainment, has fragmented into an increasingly specific subset of ever-evolving tastes. Gone are the rigidly defined days of your average "18-35 year old male demo" showing up to RAW & Nitro in their tank tops to drink beer and scream obscenities into the camera. Today's wrestling is about gathering together with fellow "smart" wrestling fans (whatever their age, gender-identity, race, or sexuality), and then evaluating themselves or their particular group against other individuals and other groups, all while existing under the larger umbrella of "modern pro-wrestling fandom".

The Writings